![]() ![]() I am updating this article to my new workflow which I hope to have done in a few weeks. If you are adding effects after the ATEM at the final wirecast level you will not see them. The result is a very high quality video of whatever the ATEM mixed. This alolows me to record what ever the ATEM has mixed and I can set very high presets on the ATEM and the computer collects the data over USB. What I do use in addition to the recording is the built in ATEM h264 encoder. I assume you are streaming in one format and then recording in another.Īnother option is to record in a low compression codec so your CPU will not be hit so hard such as Apples Intermediate Codec which you get access to if you have Apple Compressor installed. As such the CPU is around 50~60% and since I am using the same profile for stremaing and recording Wirecast does not have to encode the same video twice. What are you streaming at and what are you recording at? In my case I stream a 2.5Mbit 720P stream and I also used the exact same profile to record to disk via MP4. This demo has been transcoded from the original stream which has reduced quality when viewing full screen ![]() It also means your machine has to have enough power to encode all the desired bitrates in addition to having enough bandwidth to upload all versions. ![]() The downside is that the stream switches between bitrates may result in a slight skip ahead or backwards in the stream. ![]() I have done this with success before when using frequent keyframes. You can setup multiple profiles and then link them with a smil or playlist. It should be noted that Wirecast does not officially support multi-bitrate streaming. This means the local broadcast computer only has to encode one bitrate instead of multiple. Comprehensive library of game-ready graphics from scoreboards to game statistics and more. Real-time graphics driven by Google Sheets, Microsoft Excel spreadsheets controllers, CSV files, and clocks. For this setup the ingest server is configured to transcode the 720P 3mbit stream into multiple bitrates. Scoreboard data integration from Daktronics, Stat Crew, or Sportzcast plus 3D animated graphics. Wirecast is set to stream live to a CDN over RTMP as well as record a local copy to disk. One providing a wired connection (no ethernet on the new macbook pros) and the other provides a connection to the ATEM device to control via the software. Two USB Ethernet adapters are also in use. We utilize HD-SDI as it allows for longer cable runs we require. The scoreboard and stats are coming in over the network from the second computer via Desktop Presenter (part of wirecast) These devices allow you to capture from HDMI or HD-SDI. One taking the mixed live feed from the ATEM and the other taking the live clock shot. These are connected via two Thunderbolt connections. Click here to read the full article.Video Input is handled by two Blackmagic Mini-Recorders. Wirecast has extensive drop shadow controls in the Shot Editor Panel. TIP! Add a “drop shadow” to your PiP to make the scoreboard shot pop off the background a little and be more legible. Use the magic of Wirecast to crop it, resize it, and put in the corner of your Then you can cut away to it, or better yet, It on a tripod and leave it permanently framed on the scoreboard. If you have a second camera available, place Over to the scoreboard during pauses in the play action. If you only have one camera, then just pan So, the less equipment we need to set up, the less setup work we have to do, the more time we can devote to building. We used to use external preview monitors for our directors to watch live cameras. You can do is to point a camera at the actual scoreboard. We used to need to create scoreboard on our own, now we use Wirecast’s built-in scoreboard function. Literally, the simplest, most low-tech thing #1 On-Camera: Picture-in-Picture of Stadium Scoreboard. ProPresenter Scoreboard Comprehensive scoreboard software thats easy to use. How to create a live scoreboard for any budget or production level in Wirecast Studio or Pro. into Wirecast, then delay your audio in Wirecast until it is in sync. Andrew Haley shows us the 5 simplest ways to make Live Scoreboards in Wirecast. ![]()
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